I just discovered a new subgenre … at least new to me.
It’s called LitRPG. LitRPG, short for Literature Role Playing Game, is a literary genre based on combining all the key components of MMORPGs with science-fiction fantasy novels.
Okay. What’s a MMORPG?
It means Massively Multiplayer Online Role-Playing Games (MMORPGs), which are a combination of role-playing video games and massively multiplayer online games in which a very large number of players interact with one another within a virtual world. Very Millennial.
As in all RPGs, the player assumes the role of a character (often in a fantasy world or science-fiction world) and takes control over many of that character’s actions. MMORPGs are distinguished from single-player or small multi-player online RPGs by the number of players able to interact together, and by the game’s persistent world (usually hosted by the game’s publisher), which continues to exist and evolve while the player is offline and away from the game.
LitRPG is the new hot thing. Think of current books such as Ready Player One and the new Jumanji movie that is coming out soon. In the old days, Start Trek had a holodeck, but it was most often a side story. Nonetheless, if you search for LitRPG in the Kindle store, over a thousand books are available.
Who knew… Not me… but maybe you.
But just in case… There it is.
I want to revisit a blog by Tara Sparling, Irish data wit who talks about what makes people buy self-published books.
That stuff is always good to know if you’re Indie published.
She has some nice graphs that support her conclusions.
As always, word of mouth is strong. Genre also is a determiner. Recently, someone wanted me to read a very well-reviewed thriller. While the book would be great for someone who reads that genre, I don’t have time. It would have to be extremely compelling for me to unclasp my hands from science fiction and fantasy…or be an old favorite author of mine like the soon-to-be-mentioned Janet Evanovich.
Cover and blurb are important for influencing a buy, but it comes down to price for me for the final decision. Of course, price often depends on the current status of the buyers’s pocketbook. My can fluctuate, and during the holidays, wallets can be a little looser.
Even so, if you are involved in marketing your book, her blog is worth the read.
What makes you buy a book? What are the critical factors that convince you to tap that buy button or hand over a credit card? Inquiring author wants to know.
For this blog, I’m reporting on a popular new title, Artemis by Andy Weir. The popularity of The Martian paved the way for this second book, not to mention traditionally backed advertising and well-known buy lists.
It wasn’t what I expected.
His first book had a lot of heavy science, but as the narrator was a Robinson Crusoe character, the dialogue tended to be one-sided. Previously to reading this, I’d been slogging through Gaimon’s Neverwhere (More on that later. Another blog, another time) and got a call from the local library that my request for Artemis was there and come get it.
I ran.
The narrator is first person, a snarky twenty-something female named Jazz, who is brilliant but can’t stay out of trouble. She lives on the moon in a city called Artemis, which is a collection of interconnected bubbles that are named after famous astronauts. Her Muslim father is a welder, and Jazz (short for Jasmine) has a job as a delivery girl who secretly smuggles contraband on the side.
She reminds me of Stephanie Plum, star of the series by Janet Evanovich. (See, I got there)
Jazz’s relationships with her father, the local enforcer, her ex-boyfriend, a science geek and even her letters to an young Earth dude, are hilarious as she doles out relationship advice to her male companions.
From the book: Her geeky friend is excited that he has invented a reusable condom. He wants her to test it. She points out she is female and why doesn’t he test it himself. Turns out he is shy.
“I don’t have a girlfriend and I’m terrible with women.”
“There are brothels all over Aldrin! High-end, low-end, whatever you want.”
“That’s no good.” He crossed his arms. “I need data from a woman who is having sex for fun. The woman has to be sexually experienced, which you definitely are-”
“Careful . . .”
“And likely to have sex in the near future, which again–”
“Choose your next words wisely.”
He paused. “Anyway. You see what I’m after.”
Of course, throughout the rest of the book he keeps asking her if she has tested “his product.” She, meanwhile, is frantically trying to dig herself out of a dangerous situation that keeps escalating with absolutely no thought or time for any kind of sex.
Offered a million slugs (their currency) to blow up some harvesters, greed takes over, and she accepts the job, only to dig herself deeper and deeper into trouble.
However, Weir doesn’t forget his science as Jazz’s sharp wits and intelligence are needed to keep herself and the entire city alive when all goes drastically wrong.
I really enjoyed this one for its great character relationships and the hard core science perspective of what it means to live in an environment such as the moon provides. You get fast action, great characters, snappy dialogue with solid hard moon science.
Put this one on your to-read list. Sometimes those lists are right.
ScifiBook Review 
