Tag Archives: science fiction

Authors Using Technology: Blessing or Bane?

Technology : Blessing or basin of authors.

There! Right there. I typed bane not basin. My computer decided I meant something else.

I love the ease of Swype where I can glide my fingers effortlessly across the keyboard, but it comes at a price. I often face a battle over how to spell words and even what words I’m writing. I can’t fathom where my computer finds these words. Sometimes, I try to write a very simple word several times, and computer boy wants something else. Yelling and shouting at the keyboard does no good. It’s deaf.

Many times, I have threatened to leave the program. But like a bad boy you can’t give up, the program reactivates, and I come slinking back just for the feel of the glide on my fingers and the ease of typing. And like a bad boy, I have to keep an eye out and constantly check up on what the program is saying for fear of some outrageous word cropping up… Like basin for bane, and then name, and then… until I’m pounding the keyboard in frustration.

Does technology do that to you? Do you bless and curse it all in the same breath? What technology do you use as an author that helps you?

As my writing circle shrinks, I’ve been exploring editing programs. I’m now familiar with Grammarly, Ginger, and Prowritingaid. Autocrit, Hemingway, Slickwriter, and Scrivener are a few others.

Of the three I use, the most value from the program for me comes from Prowritingaid. For forty dollars a year, I bought the premium version. It’s fairly easy to use, but can be overwhelming. It offers a critique summary which tells you your reading level, grammar mistakes, word repetitions, spelling, sentence lengths, punctuation and much more. I feel there is too much, but then I pick and choose what I want to change, and my writing is better for it.

Next I like Ginger. This editing program has a free version that is quite adequate. You import your section, and it tells you grammar errors, punctuation problems and offers a fix. The free version has limited word count of five hundred words at a time, but you can do it  piecemeal. If you have the patience, what Ginger has that the others don’t, is a program that goes sentence by sentence and offers several alternative words and sentence structures. Often, they will suggest a word that makes the meaning sharper. Instead of she walks, they’ll offer she ambles or struts. Sometimes, like my Swype program, they’ll offer a total off-the-wall suggestion. One of the choices might say: The queen rained. You just blink your eyes and move on.

Grammarly is also good and very popular. There, too, you can get a free version. Just be aware that you must put up with the constant sales pitch, and slyly, they won’t tell you all the errors, saying you must upgrade to their thirty dollars a month version to get a full critique. I don’t feel the upgrade is worth it.

Still, the free version does an adequate job, even though it harps on my use of articles for various nouns, or rather my lack of them, and my negligence in adding commas between compound sentences while completely ignoring the lack of punctuation at the end of a sentence.

I never liked Hemingway’s compact and sparse prose. I’m more of a Faulkner writer with his long involved sentences and intricate descriptions. Juicy. So, I didn’t explore the Hemingway editing program.

If you use an editing program or a writing program, which one is it, and what do you like about it? What is your opinion–technology: blessing or bane?

This week I want to suggest reading two of my favorite books : Heavy Time and Hellburner by C. J. Cherryh.

I’m now having fun writing the third novel in my Terran Trilogy called The Weight of Gravity. Previously, I’d become stuck in the middle of the story as often happens to writers. I knew I wanted to write about the conflict between Alysians and Terrans as the Terrans try to settle on Alysia. I wanted to add urgency to the story with the threat of an attack, and that’s when I remembered reading Hellburner.

But I had to start with Heavy Time because Hellburner was hard to find, and also because Hellburner happens earlier and continues the story with the same characters. Rimrunner also takes place in the same universe.

Heavy Time has strong political overtones and tells about the struggles the small independent spaceship miners have against the big company asteroid mining conglomerates. Pilot Paul Dekker is discovered drifting in a tumbling mining spaceship and half dead without memory of what happened. His crew appears to have been murdered, and he is the number one suspect. Paul is half out of his mind and keeps calling out for his lover and crewmate, Cory. With great reluctance, Ben Pollard answers his distress call and brings him in, complaining about the cost and inconvenience. Paul ‘s constant frantic rantings after his missing girlfriend annoys Ben, and he abuses Paul in order to stop it.. Once on station, Paul’s former fellow crewmate, Bird, takes pity on him and is the only person who tries to clear his name, but it doesn’t prove easy.

Hellburner continues Paul’s story.

After testing Paul to see what skills he might have, the military discovers through an incident that he has extraordinary piloting skills. A powerful executive in the Mars Company, Cory’s mother, is out to crucify Paul as she believes he is responsible for her daughter’s death. She tries to bring him off station to Earth to try him for murder.

But the military has a secret warship in development and needs Paul’s skills to pilot their prototype. They offer him refuge from prosecution if he will pilot the ship. However, within the various divisions of the military, conflict develops as to who will control the program, and Paul ends up right in the middle of the fight with several murder attempts aimed at him. Against his will, Ben is pulled in to bring a drugged Paul back to sanity where he uncovers a secret plot within the military.

Fast-paced, the story is typical Cherryh. Told in various first-person viewpoints, it’s solid science fiction with a lot of emotional heat. She keeps you guessing as what is really going on until the very end.

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Filed under award winning scifi, Best selling author, Best selling science fiction, C. J. Cherryh, Classic science fiction, military science fiction, Science fiction thriller, Technology Authors can Use, Writing Critique groups, Writing Tips and Lectures

Time Travel Review

Spring arrived in Oregon and the tulips were blooming. Perfect weather dawned on Sunday with the Tulip Festival in full swing. A spontaneous decision…we should go. What could go wrong? Fresh air, beautiful flowers, and wine all sounded lovely.

Unfortunately, half of Oregon came to the same conclusion.

Rolling along at the breakneck speed of three mph behind a congo line of cars, we enjoyed the passing country scenery–for hours.

Lots of colorful tulips covered the fields as far as the eye could see, and the swarming mass of humanity reminded me of the huge reader potential out there. I just had to figure out a way to tap into it.

Maybe offer a tulip if they purchase a book? Nah… Tulips are tender.

Nevertheless, there was a party atmosphere, and we had a fun time.

Authors face life circumstances such as this that unexpectedly interrupt their writing schedule. After all, they have family and a life outside of writing, but it means they have to be aware of such events when they set their schedule and build in flex.

Another situation taking time away from writing was the book I chose for this week. Neal Stephenson ‘s D.O.D.O. jumped off the library shelf into my hands, causing me to stagger backward. Eight hundred and fifty some pages is a doorstopper of a novel, and a novel that may stop a lot of readers from picking it up .

It brought up the topic in our writing group : Just how long should a novel be?

The expected answer is : As long as it takes to finish the story.

However, Nathan Bransford, who writes a popular blog, lined out suggested lengths.

Chapter Books (i.e. pre-Middle Grade) – 5,000 – 20,000
Fantasy – 80,000 – 120,000
General Fiction – 75,000 – 100,000
Historical Fiction – 80,000 – 120,000
Literary Fiction – 40,000 – 120,000
Middle Grade – 30,000 – 60,000
Mystery – 75,000 – 90,000
Novella – 20,000 – 40,000
Romance – 50,000 – 90,000
Science Fiction– 90,000 – 120,000
Thriller – 80,000 – 100,000
Young Adult – 60,000 – 80,000

I felt the length of D.O.D.O to be too long and it really didn’t end satisfactorily. The story is about how a collection of individuals work on a top secret program that uses time travel to try to bring magic back into the world. Set in the near future, they go back in history to collect witches that they use to send and bring back selected people who fiddle with history.

Different chapters use letters, memos, transcripts, and various forms of communications to reveal the different viewpoints in the story. There is hilarity in the differing perceptions.

You have your bright, intelligent main character who is a linguist and your handsome military undercover male. They form a romantic interest. The arrogant professor wanting control and the headstrong witch who doesn’t put up with anyone ‘s nonsense provide humor. Trying to keep everything under control and under wraps is the strong military brass. Of course when you start messing with time, trouble happens…and then compounds.

How Stephenson handles time travel is also interesting. He has many dimensions side by side that vary slightly. As the one traveling changes circumstances, they create other different time dimensions.

I enjoyed it because I like books on time travel, but toward the end, I felt the story dragged.

There will obviously be a sequel as nothing was really resolved. I’m not sure I’m ready to put in the time.

7 Comments

Filed under award winning scifi, Best selling author, Best selling science fiction, time travel, Wizards and magic

Hugo Awards

So…. they have announced the nominations for the Hugo Awards, usually a list for my reading table.

But I’m on a rant, as I notice the novels are once again mostly by Orbit Publishing, except for Tor’s John Scalzi, a past president of Science Fiction and Fantasy Writers of America… and frequent nominee. He’s a popular guy who tweets hilarious tweets and has done a lot for science fiction, but… he’s getting nominated an awful lot.

To vote for the Hugo, you must be a member of the World Science Fiction Convention. The entrance fee is about $40, so that’s not too bad. No author is allowed to submit as the voting takes place through electronics and word of mouth. (four paper entries so far)  I imagine there are quite a few campaigns in the backroom, or maybe I’m just getting skeptical in my old age. I get tired of seeing TOR and Orbit walk away with most of the awards. Someone should put together a self-publishing/small publishers best novel, short story award presentation so the small presses and self-publishers get a chance to shine. They’re certainly an expanding number of them.

Or maybe, the awards will go the way of the New York Times Best Seller list that we now know has been manipulated for decades by the traditional publishers.

There is also a lot of re-nominating of authors who have either won or been nominated in past years. I have blogged about John Scalzi, and I like his novels. I have recommended several, and will continue to do so. I have even met him, and he is a humorous gentlemen who delivers a good speech. Even so, bear in mind, he has a $13.4 million dollar deal with TOR to deliver thirteen books. TOR will want to get their money back on that investment, so we’ll be hearing a lot more about Mr. Scalzi.

And I’m not saying that is a bad thing. Just be aware of agendas in the background.

Ann Leckie has also won before in 2014 with her debut book Ancillary Justice. Her novels are interesting because the narrator’s point of view comes from an A-I who once ran the computers on a large military ship. Unfortunately, it confuses the reader by its utter disregard for gender, and you’re not sure if the human it is speaking about is male or female. That certainly pointed out to me what a gendered society we live in. There was also some confusion with clones in Ancillary Mercy as the leader of several worlds fought for dominance among his seventeen other clones who wanted to rule everything too.

Another reoccurring name is Kim Stanley Robinson. He has also won the Hugo and other awards for his Mars Trilogy. I’ve also blogged about those three books, which are very scientific, and yet the characters pop. Now he has been nominated for New York 2140 which looks very different.

I haven’t read Six Wakes by Mur Lafferty or know about him, but that one appears to be right up my alley. It takes place on a ship with clones that are pulled out of cryo and there’s murder onboard. Sound familiar? If not, you haven’t read my A World Too Far yet, which starts with the captain being yanked out of cryo amid a pending mutiny on board the ship. So, that one I definitely want to try.

N.K. Jemisin keeps popping up in the winners and nominee lists also. I tried to read her first book, but it wasn’t to my taste. Nonetheless, many readers love her and here she is on the ballot again. Maybe I should give her another go. Have you read and liked her? Why?

Please know that my blog is full of my opinions and you may feel differently. Okay by me.

Just saying.

But I have been reading science fiction for decades, so I feel justified in leaping to certain assumptions. However, without further ado, here’s the nominees for the 2018 Hugo Awards:

Who do you think should win? Why?



The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards were announced at simultaneous events held in San Jose, California, at Norwescon 41 in SeaTac, Washington, and at Follycon, the 68th British National Science Fiction Convention (Eastercon).

The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer are:
Best Novel

The Collapsing Empire, by John Scalzi (Tor)
New York 2140, by Kim Stanley Robinson (Orbit)
Provenance, by Ann Leckie (Orbit)
Raven Stratagem, by Yoon Ha Lee (Solaris)
Six Wakes, by Mur Lafferty (Orbit)
The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

All Systems Red, by Martha Wells (Tor.com Publishing)
“And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
Down Among the Sticks and Bones, by Seanan McGuire (Tor.Com Publishing)
River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

“Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
“Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
“The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
“Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
“Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Series

The Books of the Raksura, by Martha Wells (Night Shade)
The Divine Cities, by Robert Jackson Bennett (Broadway)
InCryptid, by Seanan McGuire (DAW)
The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Related Work

Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De
Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation, Short Form

Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
“The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor, Short Form

John Joseph Adams
Neil Clarke
Lee Harris
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Sheila Williams
Best Editor, Long Form

Sheila E. Gilbert
Joe Monti
Diana M. Pho
Devi Pillai
Miriam Weinberg
Navah Wolfe
Best Professional Artist

Galen Dara
Kathleen Jennings
Bastien Lecouffe Deharme
Victo Ngai
John Picacio
Sana Takeda

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
The Book Smugglers, edited by Ana Grilo and Thea James
Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

File 770, edited by Mike Glyer
Galactic Journey, edited by Gideon Marcus
Journey Planet, edited by Team Journey Planet
nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
Rocket Stack Rank, edited by Greg Hullender and Eric Wong
SF Bluestocking, edited by Bridget McKinney

Best Fancast

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Ditch Diggers, presented by Mur Lafferty and Matt Wallace
Fangirl Happy Hour, presented by Ana Grilo and Renay William
Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
Sword and Laser, presented by Veronica Belmont and Tom Merritt
Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

Camestros Felapton
Sarah Gailey
Mike Glyer
Foz Meadows
Charles Payseur
Bogi Takács
Best Fan Artist

Geneva Benton
Grace P. Fong
Maya Hahto
Likhain (M. Sereno)
Spring Schoenhuth
Steve Stiles

Award for Best Young Adult Book (Not a Hugo Award; rules set by WSFS and administered by current Worldcon)

Akata Warrior, by Nnedi Okorafor (Viking)
The Art of Starving, by Sam J. Miller (HarperTeen)
The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
In Other Lands, by Sarah Rees Brennan (Big Mouth House)
A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

John W. Campbell Award for Best New Writer (Not a Hugo Award; sponsored by Dell Publications and administered by current Worldcon)

Katherine Arden
Sarah Kuhn*
Jeannette Ng
Vina Jie-Min Prasad
Rebecca Roanhorse
Rivers Solomon
*Finalist in their 2nd year of eligibility

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Filed under award winning scifi, Hugo winners

LitRPG: A Newish Science Fiction SubGenre

I just discovered a new subgenre … at least new to me.

It’s called LitRPG. LitRPG, short for Literature Role Playing Game, is a literary genre based on combining all the key components of MMORPGs with science-fiction fantasy novels.

Okay. What’s a MMORPG?

It means Massively Multiplayer Online Role-Playing Games (MMORPGs), which are a combination of role-playing video games and massively multiplayer online games in which a very large number of players interact with one another within a virtual world. Very Millennial.

As in all RPGs, the player assumes the role of a character (often in a fantasy world or science-fiction world) and takes control over many of that character’s actions. MMORPGs are distinguished from single-player or small multi-player online RPGs by the number of players able to interact together, and by the game’s persistent world (usually hosted by the game’s publisher), which continues to exist and evolve while the player is offline and away from the game.

LitRPG is the new hot thing. Think of current books such as Ready Player One and the new Jumanji movie that is coming out soon. In the old days, Start Trek had a holodeck, but it was most often a side story. Nonetheless, if you search for LitRPG in the Kindle store, over a thousand books are available.

Who knew… Not me… but maybe you.

But just in case… There it is.

I want to revisit a blog by Tara Sparling, Irish data wit who talks about what makes people buy self-published books.

That stuff is always good to know if you’re Indie published.

She has some nice graphs that support her conclusions.

As always, word of mouth is strong. Genre also is a determiner. Recently, someone wanted me to read a very well-reviewed thriller. While the book would be great for someone who reads that genre, I don’t have time. It would have to be extremely compelling for me to unclasp my hands from science fiction and fantasy…or be an old favorite author of mine like the soon-to-be-mentioned Janet Evanovich.

Cover and blurb are important for influencing a buy, but it comes down to price for me for the final decision. Of course, price often depends on the current status of the buyers’s pocketbook. My can fluctuate, and during the holidays, wallets can be a little looser.

Even so, if you are involved in marketing your book, her blog is worth the read.

https://tarasparlingwrites.files.wordpress.com/2014/07/influences-upon-readers-when-buying-self-published-books.png

What makes you buy a book? What are the critical factors that convince you to tap that buy button or hand over a credit card? Inquiring author wants to know.

For this blog, I’m reporting on a popular new title, Artemis by Andy Weir. The popularity of The Martian paved the way for this second book, not to mention traditionally backed advertising and well-known buy lists.

It wasn’t what I expected.

His first book had a lot of heavy science, but as the narrator was a Robinson Crusoe character, the dialogue tended to be one-sided. Previously to reading this, I’d been slogging through Gaimon’s Neverwhere (More on that later. Another blog, another time) and got a call from the local library that my request for Artemis was there and come get it.

I ran.

The narrator is first person, a snarky twenty-something female named Jazz, who is brilliant but can’t stay out of trouble. She lives on the moon in a city called Artemis, which is a collection of interconnected bubbles that are named after famous astronauts. Her Muslim father is a welder, and Jazz (short for Jasmine) has a job as a delivery girl who secretly smuggles contraband on the side.

She reminds me of Stephanie Plum, star of the series by Janet Evanovich. (See, I got there)

Jazz’s relationships with her father, the local enforcer, her ex-boyfriend, a science geek and even her letters to an young Earth dude, are hilarious as she doles out relationship advice to her male companions.

From the book: Her geeky friend is excited that he has invented a reusable condom. He wants her to test it. She points out she is female and why doesn’t he test it himself. Turns out he is shy.

“I don’t have a girlfriend and I’m terrible with women.”

“There are brothels all over Aldrin! High-end, low-end, whatever you want.”
“That’s no good.” He crossed his arms. “I need data from a woman who is having sex for fun. The woman has to be sexually experienced, which you definitely are-”

“Careful . . .”
“And likely to have sex in the near future, which again–”
“Choose your next words wisely.”
He paused. “Anyway. You see what I’m after.”

Of course, throughout the rest of the book he keeps asking her if she has tested “his product.” She, meanwhile, is frantically trying to dig herself out of a dangerous situation that keeps escalating with absolutely no thought or time for any kind of sex.

Offered a million slugs (their currency) to blow up some harvesters, greed takes over, and she accepts the job, only to dig herself deeper and deeper into trouble.

However, Weir doesn’t forget his science as Jazz’s sharp wits and intelligence are needed to keep herself and the entire city alive when all goes drastically wrong.

I really enjoyed this one for its great character relationships and the hard core science perspective of what it means to live in an environment such as the moon provides. You get fast action, great characters, snappy dialogue with solid hard moon science.

Put this one on your to-read list. Sometimes those lists are right.

4 Comments

Filed under award winning scifi, Best selling science fiction, Cutting Edge Science ideas, ebook marketing, environmental issues in science fiction, Hard science fiction, LitRPG, Marketing and selling novels, Novels that take place in the moon, Science fiction thriller, Self-publishing

Sexuality and gender in Science Fiction

Recently, a TOR blog by Liz Burke posed an interesting discussion on: Where are the SFF stories about pregnancy and childbirth?

I’m not a feminist, but I believe in the humane treatment of all individuals. What I object to is others dictating who I should like or associate with based on their criteria. Let me make the friends I want regardless of race, color, or creed. Let my fellow humans make their own. Let us all treat each other with respect.

I was criticized at a conference by an editor who read only a small sample of my work. He indicated that my female characters were too compliant. I wanted to tell him that I felt that we were getting too many stories of ass-kicking females with bad attitudes, and great bodies. We need to think about what role models we put up for our children, females and males alike. As in real life, I have an enormous range of female characters from the kickass Commander Elise Fujeint to the compliant females of a Sunglast harem… and every flavor in between.

Sex is pervasive in science fiction, but actual childbirth and parenting, I’ll have to admit the content is sparse. Lois Bujold is most mentioned in Burke’s blog with her Vorksigan series that deals with Mile’s birth, the Betan replicators that replace pregnancy, and the parenting of Mile’s own children briefly glimpsed in Captain Vorpatril’s Alliance.

The recently late and deeply missed Ursula LeGuinn explored sexuality and gender bending with her Left Hand of Darkness and child rearing is addressed in The Dispossessed.

Also mentioned that deals with pregnancy and child rearing is Octavia Butlers Lilith’s Brood. There are others, but the list is short.

Can you think of any other science fiction that focuses on or even mentions pregnancy, childbirth, and parenting?

Why did this topic catch my attention? Two reasons made it immediate.

The first is that once my character of Elise got pregnant, I had to deal with the consequences of her pregnancy, namely Tempest, her daughter. As once Commander of the Fleet, she was made to come to terms with her new role of wife and mother. It’s tricky to write about children, and yet, they can’t be ignored. After all the exciting sex, there’s diapers and bottles in the aftermath. But it’s the children that keep the species going.

The second reason this topic struck me was that I had just finished Remnants of Trust by Elizabeth Bonesteel. In this story was a secondary character who was very pregnant. As captain of a generation space ship with many children on board, the pregnancy highlighted a cultural difference between the Earth military culture and the PSI. In addition, Captain Guanyin Shiang agrees to take her ship into a battle to help save a dubious ally. The main male character, captain of an Earth military ship, needs her help in saving a sister ship under attack but is very much flummoxed by her condition and the vulnerability of her children when he asks her ship to help him save the ship under attack. In the Earth’s military rank and file, pregnancy is a reason for a female to be discharged. Medical and physical protection against pregnancy is mandatory. In military science fiction, rarely are pregnancy, childbirth or child rearing a focus of the story.

So with all the commotion about #Metoo, the topic was current. Not only was I dealing with the issue of pregnancy and child rearing in my writing, but the book I had just read also highlighted this aspect of the female struggle.

Since this is a current social issue, we may see an influx of books in the science fiction field address this issue that had long since been a topic in general literature.

Now you know that my book for this blog is Remnants of Trust by Elizabeth Bonesteel. This is the second book in the series. I blogged not long ago that I liked her first book, The Cold Between and recommended it.

Due to events in the first book, engineer Elena Shaw and Captain Greg Foster are court-marshaled. But instead of a dishonorable discharge or prison, they are sent back out on the Galileo to patrol supposedly empty space in the Third Sector. Not soon after, they receive a distress call from the Exeter, a sister ship, claiming they are under attack by raiders there. A PSI generation ship in the area agrees to help, and the two drive off the attackers but leave ninety-seven dead.

Investigation into the attack points to sabotage and, indeed, both the Galileo and the PSI generation ship, Orunmila, experience sabotage attempts on their ships. Someone wants them dead.

The Raiders are tracked to an Earth colony that has been ravaged by an environment gone rogue. In an attempt to terraform the planet, the machines have destroyed the planet’s environment, and the colony is left to suffer. Cover up activities and mistakes reach high up into the military’s brass and involve a prior mission from Elena’s past.

I enjoyed this book because of the rich characters and emotional interplay. Along with a battle, politics and mystery, Bonesteel brings to life the struggles of military life in space.

It’s a quality military science fiction read I would recommend.

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Filed under Alien worlds, artificial nature, Discovering New Worlds, environmental issues in science fiction, military science fiction, Political Science Fiction, science fiction series

Exploring Authors’ Earnings

“Submitting a manuscript to a traditional publisher is like sending a letter to Santa Claus.”

This comment, made by my husband, hit the mark so close that I had to pass it along. It made me chuckle, and then sigh.

About eight years have passed since Amazon opened up Indie publishing through Createspace and Kindle. I remember asking, “What kind of name is that?” Thinking back, it burned the traditional publishing industry pretty hard.

How has everything changed? If you like hard data, here’s the link to data guy’s author earnings report, complete with pie charts and spreadsheets. It’s quite fascinating. Print books still sell the most in total dollars, stronger than other formats due to the inclusion of textbooks and children’s books.

Science fiction is fourth in dollar revenue for ebooks behind literature, thrillers & mysteries, and romance.

Data guy shows how many books customers are buying and what price points sells the most.

Also interesting for marketing was the seasonality question. Undoubtedly, print books are seasonal. They sell most in… surprise… August and September. (Textbooks) However, most interesting was that ebooks sold the same every month no matter what the season.

Hmmm… I wouldn’t have guessed that. I still sell better in summer, but then I do more marketing at that time.

There are spread sheets that show the top selling publishers by book units and revenue and name the best selling authors in ebook, print, and audio. In some cases, names are named, but not in all. Indies appear to be shy, and almost half asked to be blanked out.

For the complete report, go to:

http://authorearnings.com/report/january-2018-report-us-online-book-sales-q2-q4-2017/

All right. So maybe numbers bore you. How about cute monkey faces? Remember I mentioned a cloning factory in China in one of my blogs ages ago? Well, the Chinese have cloned a pair of non human primates called macaques, using the Dolly sheep method. For pictures of adorableness, follow this link: Then wonder if any humans are in their queue.

http://bit.ly/2FCpdK8  (right click. open in new window)

Because I was negligent on reading Angel City Blues by Jeff Edwards last year ( hey, this is a flexible list), I decided to start with that title this year.

Boy, was I glad.

This is an urban punk detective mystery that is a fun and thoughtful read. Detective David Stalin, down on his luck and living under a dome in the dangerously poor section of L. A., lives with a highly developed A.I. Saving his life, cooking his dinner, and guarding the slovenly flat, the A.I bickers constantly with David while attending to his needs. I loved their interaction. David gets a case from a wealthy woman to find her missing daughter. There’s no DNA, no motive for her missing, no record of what happened on any security camera, and a belligerent LAPD feels he is trespassing on their case, even though they are at a dead end.

His client, however, can pull strings and cover any expense. Tempted, David takes the case, which leads to virtual reality snuffs. Here is a dirty little area of criminal activity where our detective soon finds himself secured into a helmet and thrust into a world of death and danger from which he cannot escape. He is tormented, warned, and finally released. At least, the first time. Undaunted, David continues to follow the case, which leads to an orbiting space station and the organization behind the girl’s disappearance. An exciting conclusion pushes the technology boundary even further and will delight most any techno geek.

In this novel, Edwards explores the danger of high tech used for criminal activity. With our society on the verge of adopting virtual reality for more than Pokémon games, Edwards asks us to consider what genie we may be letting out of that bottle. Even greater is the risk of using nanotechnology. He offers a scenerio that will chill you and lead you to hope that cutting-edge scientists know what they are creating while making you mindful of the threat certain technologies might bring us.

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Filed under artificial intelligence, Clones, Cutting Edge Science ideas, ebook marketing, Future of Publishing, genetic manipulation, Indie Publishing, Marketing and selling novels, Publishing Trends, Science Fiction Detective Story, The future of publishing

Ten Indie Publishing Trends You might Want to Know

We are trying to survive the drippy days of a Portland winter, but thank goodness we have no snow like the East Coast. Still it’s hard to keep cheerful spirits when all outside is gloomy and gray.

So here’s a fun piece that I wanted to include in my blog to raise the mood.
It’s a summary of the different social media platforms.

WHAT IS THE DIFFERENCE BETWEEN VARIOUS SOCIAL PLATFORMS?

Funny, but true (kinda): • Facebook: I like donuts. • Twitter: I’m eating a donut. • Instagram: Here’s a picture of my donut. • YouTube: Watch me eat a donut. • Vine: Watch me eat a donut for six seconds. • LinkedIn: My skills include donut eating. • Pinterest: Here’s a donut recipe. • Google Plus: I’m a Google employee who eats donuts.

It really clarifies the various functions of the bewildering array of media platforms out there and offers you a smile.

January is the time when seers and prognosticators appear on the publishing scene. Written Word has gathered ten publishing trends they see for 2018. As an author, you may find it helpful to see which direction the business might go. I encourage you to read the blog in its entirety, but I have a few comments to make on it. bit.ly/2DjqULH

Of the ten listed, a few caught my attention. The first is that marketing is getting more expensive with poorer results. Ad sites now talk about “stacking” your book or offering the same book on several ad sites on the same or consecutive days. This can get expensive if your royalty is a few dollars per book or you’re offering the book for free. Just about all ad sites require a discount on your book of some sort, if not free. Add to that the idea that readers are getting more selective in their downloads and picky about price, and author’s margins are squeezed.

However, serious Indies are continuing to build their catalog. Perseverance is key in the writing business. It’s a long game. Here’s what Written Word says to give authors hope :

“Ever year we (Written Word) conduct a survey of authors to identify what high-earning authors are doing to achieve success. In 2017 the number of authors who reported making over $100,000 from writing grew by 70% over 2016. The percentage of authors making between $5,000 and $10,000 per month doubled year over year. Indies who persevere and continue putting out books slowly increase their earnings over time. Is it easy? No. Will it take time? Yes. But there are plenty indie authors who are making money. They will continue to grow their businesses in 2017 and a new batch of high-earning authors will join their ranks.

What this means for you: Successful indie authors see themselves as entrepreneurs who are running a business. And they are. Their product is their books. Successful authors are those that focus on their business and manage the ups and downs. In 2018 be honest with yourself. What are your goals? Are you writing to pursue a passion? Are you writing to supplement your income? Are you building or growing a business? Then align your efforts with your goals to achieve what success means for you.”

The last comment from this blog I want to point out is “Everyone will talk about going direct to reader.” Several efforts and young companies are causing even more disintermediation in the publishing business. Publica.com talks about direct transactions between authors and readers via blockchain and could very well be the next step in publishing. Stay tuned on this idea and check out their website for more information.

I have five more books to put on my 2018 reading list. (The first five are on my previous blog)

In the absence of blockbuster stand-alones this past year, I’ve added several follow-up books in a series to my 2018 reading list. To address a title that is on most science fiction lists and traditionally published, I have chosen Artemis by Andy Weir. The Martian was a smash hit, both movie and book, and now Weir writes an adventure involving the moon. I expect this will be good.

Next, I selected Helios by N.J. Tanger. I read and reported on the first in this series, Chimera, and now I’m ready to read the next. The story trends to YA since the main characters are teenagers.

Summary: A distant planet colony no longer receives supplies or transmissions from Earth, and after several years, they are running low on resources. The colony tries to reactivate the sleeping AI and repair the colony’s ship in order to send it to Earth to find out why they have been abandoned. Five young people are selected to crew the ship. The first book tells that story and the conflict of relationships among the candidates for crew.

Now in Helios, the story continues as an exchange ship breaks through fractal space to arrive on the planet. Celebrations break out, but collapse when all on board are found dead. More than ever, Stephen’s Point Colony wants to send the ship to Earth and find out what has happened.

Sounded interesting. So, I included book two.

Everyone tells me how great Neil Gammon is, but I couldn’t finish reading American Gods, in spite of all its acclaim. Now the Powell’s Reading Group has listed Neverwhere to read. They have assured me that I will like it, so I’m willing to give it a chance.

I loved the Merchant Series by Charles Stross, so when I saw Empire Games continued this interdimensional espionage and political science fiction romp, I put it on my to-read list.

I’ve had the book cover of Remnants of Trust on my desktop ever since reading The Cold Between by Elizabeth Bonesteel as a reminder to read this next in the series. The blurb says, “A young soldier finds herself caught in the crossbar of a deadly conspiracy in space.” Here was my military space thriller, then, and the final selection on my list.

Here’s these last five with the caveat that I add additional interesting books throughout the year as they catch my attention or pop up on my list of books that I think readers will like. I encourage you to try any of them and let me know what you think.

 

 

Artemis Andy Weir
Helios N. J. Tanger
Remnants of Trust Elizabeth Bonesteel
Neverwhere Neil Gammon
Empire Games. Charles Stross

Have a great 2018 reading year.

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Filed under Alien worlds, Aliens in Science Fiction, Alternate Universe Stories, Best selling author, Best selling science fiction, Discovering New Worlds, ebook marketing, Indie authors, Indie Publishing, Marketing and selling novels, military science fiction, Novels that take place in the moon, Political Science Fiction, Portal fiction, Publishing Trends, science fiction series, Science fiction thriller, space ship, The future of publishing