Tag Archives: science fiction

Exciting Time Dimension Scifi Series

Kris Rusch’s recent blog has hit a nerve. She addresses the problem of author burnout. According to her, a number of authors after going hot and hard at writing and marketing are finding that they need a break. I’m in that category right now. I’ve been publishing for over eight years and writing far longer than that. Eleven books comprise my two series with an additional anthology and novella. I’m very proud of the stories, and as a prolific science fiction reader, feel they are of a quality to match any of the good writers of science fiction out there.

However, I’m finding that, with the completion of my Terran Trilogy, I’m floundering for ideas for a new series. A few have suggested I follow the path of the Fallen and tell their story while others expressed interest in what motivated the fleet to leave Earth. I would be interested in any comments you might have either along those lines or for new suggestions.

Meanwhile, the clamor for new artwork from me increases. My daughter has bought a new home and her walls are too bare. She wants a vineyard painting to accompany the wine fridge we gave them last Christmas. A few in-law have commented that they would like one of my pieces, and I have some ideas in mind for them. I’m rekindling the excitement I used to have for painting.

Kris warns against getting a waning enthusiasm in writing and suggests ways to combat it. Luckily, our income doesn’t depend on my writing. So, that pressure isn’t there. I used to be able to promote my work visa social media and adds such as Freebooksy etc, but lately the return doesn’t justify the expense. Besides, I’m not a big social media person, either, and I’m growing less and less enthusiastic due to what I encounter in many of the blogs or comments. My ebook library is brimming with interesting books that I grabbed for free or at a good price from the free or discounted book sites. I’ll never get them all read. But it’s great to have choices when you are looking for something to read. Other readers may be in the same situation and not loading up as much as they used to.

In addition, I’m noticing Christmas on the horizon which brings with it a deluge of birthdays, including mine. I’m expecting this to be one of the best Christmases in a while, and want to fully participate in the joy of the season. (Barring the vitriol of those who prefer to tear apart our country rather than offer solutions) I’m aware of the amazing country I live in and am grateful for the life I have been given. (a bit of a Thanksgiving message there).

Nevertheless, I’m excited about this last book in the Terran Trilogy called the Weight of Gravity. It may be one of the best yet. I’m currently working with professional designer Toni Boudreault to craft an exciting cover. The publication date had been pushed back due to various events outside of my control, but then both  G. Martin and P. Rothfuss have more than eclipsed my mere few weeks delay by years for their works without much suffering. Still, this last work will be published in 2018, and that’s a hard deadline.

After reading Kris’s blogs about her writing path, I decided to plunge into her Diving series. I scooped a novella from one of her promotions and realized that the series didn’t have anything to do with the ocean, but rather her female protagonist was after salvaging old spaceships for historical value. Well now, that sounded interesting.

The first in the series, Diving Into the Wreck, introduces the lead character who goes by the name of Boss. She searches for old abandoned spaceships, interested in their historical value. What she finds is a five-thousand-year-old derelict called a Dignity ship with dangerous, malfunctioning jump technology. Several divers in her crew die. The lost technology bends time and space, moving ships through dimensional space so they can travel huge distances in a short period of time.

This powerful technology is just what the Empire is searching for in order to tip the balance of power in its favor. Not wanting that outcome, Boss and her team go off the grid and try to work under the radar. The discovery leads them to the Room of Lost Souls where as a child, Boss watched her mother disintegrate and crumble with old age under the influence of the ancient technology.

But even though she was in the same room, Boss stayed unaffected. The experience scarred her, but now a client wants her to return and solve the mystery of that haunted and hidden place. However, the more they discover, the more dangerous she realizes the tech is.

Okay, so the story was way more intriguing than I expected. I liked the time jump idea and the lost technology from an Earth five thousand years ago and light years away in distance. The story was well-written with no grammar or plot problems except the tantalizing mystery of what they called a Dignity ship and its connection to the Room of Lost Souls.

So I dove (heh, heh) into the next book of the series called City of Ruins. At this point, years have passed. Boss has a salvage company with four ships and several crew. After finding the first Dignity ship with ancient stealth tech, she is quietly searching for more. A lead to a planet with mysterious holes that erupt without reason suggests ancient tech may be at work.

But the planet’s government is hesitant to let her explore too widely, saying that those who enter the caverns created by the holes are found dead by unknown forces. This information only fuels her interest, and she assembles a crew to investigate the underground caverns. She selects within her crew four others who are immune to the ancient tech’s effect because she senses its nearness.

A parallel story runs through the book of Captain “Coop” Cooper. He is one of many ships in the fleet defending Earth five thousand years in the past. During a vicious battle, he tries to jump away just as his ship is hit. The result traps him and his crew in foldspace where they may linger forever if they can’t figure a way out.

Far in the future, carefully exploring a cavern where several deaths occurred, Boss eventually discovers an enormous cavern where she senses the ancient tech she has been searching for. While investigating the area, someone activates the machinery and it pulls Coop’s trapped ship out of foldspace into what Boss comes to realize is a secret landing bay.

Wary at first, but relieved at landing in a repair bay, the crew of the Ivoire notices the arrival of strangers into the room and the odd timeworn condition of the bay. Several attempts at communication result in success wherein Boss shocks the Fleet’s crew with the information that they have traveled five thousand years into their future.

The third in this series is Boneyards. Captain “Coop” Cooper and crew are desperate to find a way back to their fleet and their old life. Boss wants to find stealth tech to combat the Empire. The Empire, meanwhile, is frantically trying to develop stealth tech on its own but doesn’t realize what it is and is making deadly mistakes. This book features “Squishy,” one of Boss’s crew members who worked for the Empire on stealth tech in her past and killed many people in the process.

The book jumps back and forth in her past and in Coop’s story. Squishy wants to find the tech and destroy it to absolve her sins while Coop is frantic to return to his time period and the fleet. Boss suggests they investigate old landing sites that were being constructed in the Fleet’s early days in order to find the tech to repair his Dignity ship.

Coop has to decide whether to help Boss attack the Empire or risk losing his way back with Squishy’s plan to destroy it.

So, the series was so much more exciting than I thought it would be. The characters are well drawn, the action interesting, and the plot of ancient stealth technology and time jumping was really cool. I plan to read more.

You should do a little investigating on your own with this one.

Kris’s blog: click on link

 

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Filed under Alien worlds, Alternate Reality in Literature, Alternate Universe Stories, Best selling author, Experiences in writing, Indie Science Fiction Authors, Publishing Trends, science fiction, Science Fiction book review, Science Fiction Mystery, science fiction series, time travel

Alternate Dimensions in Best Selling Science Fiction

Leaves are turning bright colors of orange, red and yellow while plump pumpkins are showing up sporting toothy grins in houses and on doorsteps.

I am waiting on my cover design artist to deliver the concept cover for my third book in The Terran Trilogy, The Weight of Gravity. I am also looking for Beta readers to read it. E-mail me if you have an interest.

Soon the whirlwind holiday activities will commence, so I’ll apologize now if my blog gets neglected in the near future.

With the proposal of String Theory, the idea of a many-dimensional universe or possibly universes, has tickled the fancy of the science fiction genre. I explore this idea in my books, particularly in Someone’s Clone and Time Equation.

The idea that there may be more than this reality fascinates me. That’s why I like Charles Stross’s series The Merchant Princes Multiverse. I put Empire Games, his most recent book of the series (having read the others) on my 2018 to-read list.

Then I read it. Here’s the lowdown on Empire Games from that suggested series.

The year is 2020 and Miriam Burgeson is head of the Ministry of the shadowy Intertemporal Research and Intelligence. The North American Commonwealth is rapidly bringing democracy to a troubled world. In another Timeline, the powerful United States has become aware of the timewalkers who cross in and out the time dimensions and have hired Miriam’s estranged daughter to root out any trespassing spies or illicit traders.

Both powerful nuclear nations are on a collision course, and mother and daughter find themselves on opposite sides of an escalating war while operating from two different timelines.

I liked the interdimensional espionage found in the whole series, but the earlier books were even better for me. You should read the series from the beginning as it develops along a timeline with the characters’ lives, even as they visit various periods of history (medieval, industrial, current) in their own lives. In one book, Miriam gets trapped in the emerging industrial age timeline, and I was intrigued how she used her knowledge of future technology to build a business and survive as a widowed women when women in business were not yet accepted. In this more recent book, she has ascended to become a powerful person in the current society.

Another book that deals with dimensional time is City of Stairs by Robert Jackson Bennett. This one was nominated for a 2018 Hugo in the best series category. The Divine Cities is the series name, and City of Stairs is the first book in the series.

Since I like mysteries and science fiction, this hit a hot button of mine.

The story is bout Bulikov, a once brutal city that enslaved millions but was protected by powerful gods. Now it lays defeated and devastated by a neighboring country, Saypur.

Into this beaten-down city steps Shara Thivani, called to investigate a death, and suspected murder, of an associate who is a distinguished university professor. He was found dead while researching Bulikov’s history. Shara arrives in the guise of a nondescript diminutive junior investigator, accompanied by a towering, fearsome bodyguard called Sigrid. Unbeknownst to her hostile hosts, Shara is of royal bloodline and her country’s top spy.

As Shara uncovers the facts of the professor’s murder, she discovers the gods may not be as absent as thought, and the city of Bulikov has many secrets within stairs that seem to disappear into hidden dimensions.

I very much enjoyed this story. There are two more to the series that I plan to read. I particularly like the trope of the clever young highbred who everyone overlooks until they realize that she is more than she seems. The relationship of her and Sigrid, her terrifying, yet loyal, secretary is delightful. Twist and turns abound, and not all are from the mysterious stairs.

I can’t believe summer is over. Time is a slippery fellow nowadays.
Enjoy the cool.

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Filed under Alternate Universe Stories, award winning scifi, Best selling science fiction, Beta Readers, Hugo Nominations, Political Science Fiction, Science Fiction Mystery, science fiction series

Current Female Authors in Science Fiction

Women. Hooray!
Mumble, grumble… “There they go again.”

Okay guys, what would you do without us? Life would be really boring. So, as promised, I’m giving you five current female science fiction/ fantasy authors who I  think should be mentioned. Yes, yes, there are oodles more, but here’s my five. Deal with it. Feel free to add your own in the comment section.

 

First, Anne Leckie.

Ann Leckie won a Hugo in 2014 with her debut book Ancillary Justice. Her novels are interesting because the narrator’s point of view comes from an A-I who once ran the computers on a large military ship. Unfortunately, it confuses the reader by its utter disregard for gender, and you’re not sure if the human it is speaking about is male or female. That certainly pointed out to me what a gendered society we live in. There was also some confusion with clones in Ancillary Mercy as the leaders of several worlds are clones who are at war with one another, so, of course things get confusing.
Now Anne’s back with another Hugo nomination from that series with Provenance. It’s on my TBR list.

Next, Jacqueline Carey

Jacqueline Carey has a fantasy series, Kushiel’s Legacy that I read and enjoyed. The main character was a spy working undercover in a house of pleasure. So fair warning that some of the scenes are a bit pornographic. Okay, really pornographic. Her new series that starts with the Starless Sky, so far is not, but I’m still in the early stages of the story, and really enjoying it.

It balances on the edge of science fiction with an overhead sky devoid of stars and hints of ancient ones who walked their world. The story follows Kai, destined from birth to protect the princess Zariya. Childhood training on how to kill and employ stealth takes place in the deep desert as Kai prepares to face a startling destiny. True to form, Carey portrays a rich world with interesting characters and non stop action.

Thirdly, N.K. Jeminsin.

I could hardly overlook Jeminsin who won the Hugo in 2016 for her novel The Fifth Season, the 2017 Hugo for The Obelisk Gate, and now she’s nominated for the 2018 Hugo with The Stone Sky. All are in her Broken Earth Series. I started her first book, The Hundred Thousand Kingdoms and couldn’t finish it. Gods come to Earth to wrangle with humans wasn’t my cup of tea. But with so much acclaim, I’m going to have to try again with her new series. I would be interested to hear any opinions from readers who have already read it.

How about Becky Chambers?

A strong science fiction novel, Chambers charms with her series, starting with a A Long Way to a Small Angry Planet. This is a light-hearted adventure of a human female, Rosemary Harper, who, in running away from a mysterious past, joins the crew of the patched-up ship the Wayfarer. On board is a zany crew who adopts the distant young woman and makes her part of their family. From Sissex, the reptilian pilot, to the chatty duo of Lizzy and Jenks, engineers who keep the ship running, to the noble Captain, Ashby, Rosemary finds love and adventure. Her next in the series, A Closed and Common Orbit is on my list to read this year.

And last, but not least, is Mur Lafferty with her exciting novel Six Wakes. This is a debut novel already nominated for the 2018 Hugo and was also nominated for the Nebula. I was ready for a strong science fiction adventure and Lafferty delivered.

Six humans crew a ship of selected Earth citizens, now in cryo, who expect to settle a new world and start over. The six awake from their replicator chamber to be confronted with a bloody massacre of their previous clones. Billed as a fresh start, no one’s past is recorded, but this time even personal memories of events and personalities are erased. The clones try to unravel the mystery of the murders to discover who among them is guilty … and why he or she is attempting to hunt and kill the crew. In the process, they uncover shocking information about who they are and what they have done.

Be prepared for twists and turns, flashbacks that offer clues, and a satisfying story of what makes for human behavior and personality.

In summary:

Jacqueline Carey. Starless
Anne Leckie. Provenance
N.K. Jeminsin. The Stone Sky
Mur Lafferty. Six Wakes
Becky Chambers A Long Way to a Small Angry Planet

p.s.  I’ll be offering my first book in the Terran Trilogy, A World Too Far this Friday July 13 (12 a.m. PDT), July 14 to Sunday, July 15 (11:59 PDT) for free, free, free on Amazon or through Book Barbarian. This is a nail-biting journey of forty ships, lost in the Galaxy, trying to find a planet to call home. Space is dangerous, but humans can also be deadly if driven too far.

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Filed under alien life forms, Alien worlds, award winning scifi, Best selling science fiction, Clones, Discovering New Worlds, downloaded personalities, fantasy series, genetic manipulation, Hugo winners, Nebula nominations, Science Fiction Mystery, science fiction series, Science fiction thriller, Women in Science Fiction

A Few Different Thoughts on Writing

Writing and editing use two different areas of the brain. When I’m writing, I need a quiet environment and total concentration. I fall into the story, entering another dimension where sometimes I’m not sure what’s going to happen. I don’t want to be distracted and pulled out of the world I’m in.

Conversely, I’ve edited several stories on the couch watching television. Usually, it’s a golf match or financial show (I’m an ex -stock broker) where I can split my attention. Editing means hunting for misspelled words, incorrect punctuation, badly used grammar…things like that. I can do that in bits, whereas in writing I need to keep a train of thought going.

I like to edit; it’s like cleaning a room. You can see the improvement, and you feel as if you have accomplished something. However, our English language is complex, and the grammar rules don’t always make sense. Comas are my downfall. I probably have a better grasp of the rules than most, (Master degree in English) but it still poses a never ending battle that I’m not winning. That’s why Nicolas Rossis’ blog on My 4 Golden Rule of Writing was refreshing and worth reading.

https://nicholasrossis.wordpress.com/2014/08/26/my-golden-rules-of-writing/

1. Don’t let your writing get in the way of your story.
2. Grammar’s aim is to make the written word as clear as possible.
3. Creativity trumps conformity.
4. As long as it has a beginning, a middle and an end, it is a story.

Nicholas blasts some of the conventional wisdom found in rule books to put forth common sense thoughts on how to write. He even brings in Shakespeare and word creation. I’ve followed his blog for awhile now. Besides, he’s Greek, and my daughter just returned from a lovely vacation there. Check it out.

I’m back to limited marketing at the moment. I ran a promotion for A World Too Far on Freebooksy recently and, heads up, I’m running a 99 cent promotion starting June 6 for Caught in Time on Fussy Librarian and extending it out a couple of days. If you haven’t had a chance to get a deal on this starter to the Alysian series, now’s the time.

Meanwhile, I’m working on an innovative marketing platform that I’ll let everyone know about as soon as it goes active. It could be the next revolution in publishing.

This week I floundered around on my selection for my blog readers. I had elected Neil Gaimon’s Neverwhere.

Halfway through, I thought, Neverwhere… Nevermind.

However, there were a good number of readers in my Powell’s book club that liked it. So, you may too. I just didn’t like wandering around in the sewers of London meeting weird characters. After awhile, I felt I needed a shower.

Then I tried an Indie story that is getting a lot of buzz on Amazon called Crossing in Time. Both were on my to-read list that I make at the start of each year. This one I read halfway into the story until the main characters end up together in a different time dimension… which is kinda cool. When the female character goes back in time to the other dimension, she reverses aging, so she is also a teenager. There she meets the earlier young love she missed out on and is determined they should not separate in that timeline like they did in her original timeline. From there on, it became a juvenile romance novel. I did finish it, but may not be moving on to the next. So, fair warning.

Don’t get me wrong, I like romance in my science fiction, but for some reason, this lost the science fiction elements that I’d been enjoying in the first half of the book and became something else. However, I did finish it.

Now, I’m reading A Thousand Faces: A Shape-Shifter Thriller by Janci Patterson.
Free on Amazon.

So far, so good. The price is right.

I want to leave you with a smile on your face. My daughter is fostering kittens and I just couldn’t pass up showing you one of them. The ears jump up and down as he drinks. Quite the show.

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Filed under Best selling science fiction, Book reviews, Indie authors, Marketing and selling novels, Post Apocalyptic, science fiction romance, Science fiction thriller, time travel, Writing Tips and Lectures

Authors Using Technology: Blessing or Bane?

Technology : Blessing or basin of authors.

There! Right there. I typed bane not basin. My computer decided I meant something else.

I love the ease of Swype where I can glide my fingers effortlessly across the keyboard, but it comes at a price. I often face a battle over how to spell words and even what words I’m writing. I can’t fathom where my computer finds these words. Sometimes, I try to write a very simple word several times, and computer boy wants something else. Yelling and shouting at the keyboard does no good. It’s deaf.

Many times, I have threatened to leave the program. But like a bad boy you can’t give up, the program reactivates, and I come slinking back just for the feel of the glide on my fingers and the ease of typing. And like a bad boy, I have to keep an eye out and constantly check up on what the program is saying for fear of some outrageous word cropping up… Like basin for bane, and then name, and then… until I’m pounding the keyboard in frustration.

Does technology do that to you? Do you bless and curse it all in the same breath? What technology do you use as an author that helps you?

As my writing circle shrinks, I’ve been exploring editing programs. I’m now familiar with Grammarly, Ginger, and Prowritingaid. Autocrit, Hemingway, Slickwriter, and Scrivener are a few others.

Of the three I use, the most value from the program for me comes from Prowritingaid. For forty dollars a year, I bought the premium version. It’s fairly easy to use, but can be overwhelming. It offers a critique summary which tells you your reading level, grammar mistakes, word repetitions, spelling, sentence lengths, punctuation and much more. I feel there is too much, but then I pick and choose what I want to change, and my writing is better for it.

Next I like Ginger. This editing program has a free version that is quite adequate. You import your section, and it tells you grammar errors, punctuation problems and offers a fix. The free version has limited word count of five hundred words at a time, but you can do it  piecemeal. If you have the patience, what Ginger has that the others don’t, is a program that goes sentence by sentence and offers several alternative words and sentence structures. Often, they will suggest a word that makes the meaning sharper. Instead of she walks, they’ll offer she ambles or struts. Sometimes, like my Swype program, they’ll offer a total off-the-wall suggestion. One of the choices might say: The queen rained. You just blink your eyes and move on.

Grammarly is also good and very popular. There, too, you can get a free version. Just be aware that you must put up with the constant sales pitch, and slyly, they won’t tell you all the errors, saying you must upgrade to their thirty dollars a month version to get a full critique. I don’t feel the upgrade is worth it.

Still, the free version does an adequate job, even though it harps on my use of articles for various nouns, or rather my lack of them, and my negligence in adding commas between compound sentences while completely ignoring the lack of punctuation at the end of a sentence.

I never liked Hemingway’s compact and sparse prose. I’m more of a Faulkner writer with his long involved sentences and intricate descriptions. Juicy. So, I didn’t explore the Hemingway editing program.

If you use an editing program or a writing program, which one is it, and what do you like about it? What is your opinion–technology: blessing or bane?

This week I want to suggest reading two of my favorite books : Heavy Time and Hellburner by C. J. Cherryh.

I’m now having fun writing the third novel in my Terran Trilogy called The Weight of Gravity. Previously, I’d become stuck in the middle of the story as often happens to writers. I knew I wanted to write about the conflict between Alysians and Terrans as the Terrans try to settle on Alysia. I wanted to add urgency to the story with the threat of an attack, and that’s when I remembered reading Hellburner.

But I had to start with Heavy Time because Hellburner was hard to find, and also because Hellburner happens earlier and continues the story with the same characters. Rimrunner also takes place in the same universe.

Heavy Time has strong political overtones and tells about the struggles the small independent spaceship miners have against the big company asteroid mining conglomerates. Pilot Paul Dekker is discovered drifting in a tumbling mining spaceship and half dead without memory of what happened. His crew appears to have been murdered, and he is the number one suspect. Paul is half out of his mind and keeps calling out for his lover and crewmate, Cory. With great reluctance, Ben Pollard answers his distress call and brings him in, complaining about the cost and inconvenience. Paul ‘s constant frantic rantings after his missing girlfriend annoys Ben, and he abuses Paul in order to stop it.. Once on station, Paul’s former fellow crewmate, Bird, takes pity on him and is the only person who tries to clear his name, but it doesn’t prove easy.

Hellburner continues Paul’s story.

After testing Paul to see what skills he might have, the military discovers through an incident that he has extraordinary piloting skills. A powerful executive in the Mars Company, Cory’s mother, is out to crucify Paul as she believes he is responsible for her daughter’s death. She tries to bring him off station to Earth to try him for murder.

But the military has a secret warship in development and needs Paul’s skills to pilot their prototype. They offer him refuge from prosecution if he will pilot the ship. However, within the various divisions of the military, conflict develops as to who will control the program, and Paul ends up right in the middle of the fight with several murder attempts aimed at him. Against his will, Ben is pulled in to bring a drugged Paul back to sanity where he uncovers a secret plot within the military.

Fast-paced, the story is typical Cherryh. Told in various first-person viewpoints, it’s solid science fiction with a lot of emotional heat. She keeps you guessing as what is really going on until the very end.

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Filed under award winning scifi, Best selling author, Best selling science fiction, C. J. Cherryh, Classic science fiction, military science fiction, Science fiction thriller, Technology Authors can Use, Writing Critique groups, Writing Tips and Lectures

Time Travel Review

Spring arrived in Oregon and the tulips were blooming. Perfect weather dawned on Sunday with the Tulip Festival in full swing. A spontaneous decision…we should go. What could go wrong? Fresh air, beautiful flowers, and wine all sounded lovely.

Unfortunately, half of Oregon came to the same conclusion.

Rolling along at the breakneck speed of three mph behind a congo line of cars, we enjoyed the passing country scenery–for hours.

Lots of colorful tulips covered the fields as far as the eye could see, and the swarming mass of humanity reminded me of the huge reader potential out there. I just had to figure out a way to tap into it.

Maybe offer a tulip if they purchase a book? Nah… Tulips are tender.

Nevertheless, there was a party atmosphere, and we had a fun time.

Authors face life circumstances such as this that unexpectedly interrupt their writing schedule. After all, they have family and a life outside of writing, but it means they have to be aware of such events when they set their schedule and build in flex.

Another situation taking time away from writing was the book I chose for this week. Neal Stephenson ‘s D.O.D.O. jumped off the library shelf into my hands, causing me to stagger backward. Eight hundred and fifty some pages is a doorstopper of a novel, and a novel that may stop a lot of readers from picking it up .

It brought up the topic in our writing group : Just how long should a novel be?

The expected answer is : As long as it takes to finish the story.

However, Nathan Bransford, who writes a popular blog, lined out suggested lengths.

Chapter Books (i.e. pre-Middle Grade) – 5,000 – 20,000
Fantasy – 80,000 – 120,000
General Fiction – 75,000 – 100,000
Historical Fiction – 80,000 – 120,000
Literary Fiction – 40,000 – 120,000
Middle Grade – 30,000 – 60,000
Mystery – 75,000 – 90,000
Novella – 20,000 – 40,000
Romance – 50,000 – 90,000
Science Fiction– 90,000 – 120,000
Thriller – 80,000 – 100,000
Young Adult – 60,000 – 80,000

I felt the length of D.O.D.O to be too long and it really didn’t end satisfactorily. The story is about how a collection of individuals work on a top secret program that uses time travel to try to bring magic back into the world. Set in the near future, they go back in history to collect witches that they use to send and bring back selected people who fiddle with history.

Different chapters use letters, memos, transcripts, and various forms of communications to reveal the different viewpoints in the story. There is hilarity in the differing perceptions.

You have your bright, intelligent main character who is a linguist and your handsome military undercover male. They form a romantic interest. The arrogant professor wanting control and the headstrong witch who doesn’t put up with anyone ‘s nonsense provide humor. Trying to keep everything under control and under wraps is the strong military brass. Of course when you start messing with time, trouble happens…and then compounds.

How Stephenson handles time travel is also interesting. He has many dimensions side by side that vary slightly. As the one traveling changes circumstances, they create other different time dimensions.

I enjoyed it because I like books on time travel, but toward the end, I felt the story dragged.

There will obviously be a sequel as nothing was really resolved. I’m not sure I’m ready to put in the time.

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Filed under award winning scifi, Best selling author, Best selling science fiction, time travel, Wizards and magic

Hugo Awards

So…. they have announced the nominations for the Hugo Awards, usually a list for my reading table.

But I’m on a rant, as I notice the novels are once again mostly by Orbit Publishing, except for Tor’s John Scalzi, a past president of Science Fiction and Fantasy Writers of America… and frequent nominee. He’s a popular guy who tweets hilarious tweets and has done a lot for science fiction, but… he’s getting nominated an awful lot.

To vote for the Hugo, you must be a member of the World Science Fiction Convention. The entrance fee is about $40, so that’s not too bad. No author is allowed to submit as the voting takes place through electronics and word of mouth. (four paper entries so far)  I imagine there are quite a few campaigns in the backroom, or maybe I’m just getting skeptical in my old age. I get tired of seeing TOR and Orbit walk away with most of the awards. Someone should put together a self-publishing/small publishers best novel, short story award presentation so the small presses and self-publishers get a chance to shine. They’re certainly an expanding number of them.

Or maybe, the awards will go the way of the New York Times Best Seller list that we now know has been manipulated for decades by the traditional publishers.

There is also a lot of re-nominating of authors who have either won or been nominated in past years. I have blogged about John Scalzi, and I like his novels. I have recommended several, and will continue to do so. I have even met him, and he is a humorous gentlemen who delivers a good speech. Even so, bear in mind, he has a $13.4 million dollar deal with TOR to deliver thirteen books. TOR will want to get their money back on that investment, so we’ll be hearing a lot more about Mr. Scalzi.

And I’m not saying that is a bad thing. Just be aware of agendas in the background.

Ann Leckie has also won before in 2014 with her debut book Ancillary Justice. Her novels are interesting because the narrator’s point of view comes from an A-I who once ran the computers on a large military ship. Unfortunately, it confuses the reader by its utter disregard for gender, and you’re not sure if the human it is speaking about is male or female. That certainly pointed out to me what a gendered society we live in. There was also some confusion with clones in Ancillary Mercy as the leader of several worlds fought for dominance among his seventeen other clones who wanted to rule everything too.

Another reoccurring name is Kim Stanley Robinson. He has also won the Hugo and other awards for his Mars Trilogy. I’ve also blogged about those three books, which are very scientific, and yet the characters pop. Now he has been nominated for New York 2140 which looks very different.

I haven’t read Six Wakes by Mur Lafferty or know about him, but that one appears to be right up my alley. It takes place on a ship with clones that are pulled out of cryo and there’s murder onboard. Sound familiar? If not, you haven’t read my A World Too Far yet, which starts with the captain being yanked out of cryo amid a pending mutiny on board the ship. So, that one I definitely want to try.

N.K. Jemisin keeps popping up in the winners and nominee lists also. I tried to read her first book, but it wasn’t to my taste. Nonetheless, many readers love her and here she is on the ballot again. Maybe I should give her another go. Have you read and liked her? Why?

Please know that my blog is full of my opinions and you may feel differently. Okay by me.

Just saying.

But I have been reading science fiction for decades, so I feel justified in leaping to certain assumptions. However, without further ado, here’s the nominees for the 2018 Hugo Awards:

Who do you think should win? Why?



The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards were announced at simultaneous events held in San Jose, California, at Norwescon 41 in SeaTac, Washington, and at Follycon, the 68th British National Science Fiction Convention (Eastercon).

The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer are:
Best Novel

The Collapsing Empire, by John Scalzi (Tor)
New York 2140, by Kim Stanley Robinson (Orbit)
Provenance, by Ann Leckie (Orbit)
Raven Stratagem, by Yoon Ha Lee (Solaris)
Six Wakes, by Mur Lafferty (Orbit)
The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

All Systems Red, by Martha Wells (Tor.com Publishing)
“And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
Down Among the Sticks and Bones, by Seanan McGuire (Tor.Com Publishing)
River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

“Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
“Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
“The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
“Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
“Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Series

The Books of the Raksura, by Martha Wells (Night Shade)
The Divine Cities, by Robert Jackson Bennett (Broadway)
InCryptid, by Seanan McGuire (DAW)
The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Related Work

Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De
Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation, Short Form

Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
“The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor, Short Form

John Joseph Adams
Neil Clarke
Lee Harris
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Sheila Williams
Best Editor, Long Form

Sheila E. Gilbert
Joe Monti
Diana M. Pho
Devi Pillai
Miriam Weinberg
Navah Wolfe
Best Professional Artist

Galen Dara
Kathleen Jennings
Bastien Lecouffe Deharme
Victo Ngai
John Picacio
Sana Takeda

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
The Book Smugglers, edited by Ana Grilo and Thea James
Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

File 770, edited by Mike Glyer
Galactic Journey, edited by Gideon Marcus
Journey Planet, edited by Team Journey Planet
nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
Rocket Stack Rank, edited by Greg Hullender and Eric Wong
SF Bluestocking, edited by Bridget McKinney

Best Fancast

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Ditch Diggers, presented by Mur Lafferty and Matt Wallace
Fangirl Happy Hour, presented by Ana Grilo and Renay William
Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
Sword and Laser, presented by Veronica Belmont and Tom Merritt
Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

Camestros Felapton
Sarah Gailey
Mike Glyer
Foz Meadows
Charles Payseur
Bogi Takács
Best Fan Artist

Geneva Benton
Grace P. Fong
Maya Hahto
Likhain (M. Sereno)
Spring Schoenhuth
Steve Stiles

Award for Best Young Adult Book (Not a Hugo Award; rules set by WSFS and administered by current Worldcon)

Akata Warrior, by Nnedi Okorafor (Viking)
The Art of Starving, by Sam J. Miller (HarperTeen)
The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
In Other Lands, by Sarah Rees Brennan (Big Mouth House)
A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

John W. Campbell Award for Best New Writer (Not a Hugo Award; sponsored by Dell Publications and administered by current Worldcon)

Katherine Arden
Sarah Kuhn*
Jeannette Ng
Vina Jie-Min Prasad
Rebecca Roanhorse
Rivers Solomon
*Finalist in their 2nd year of eligibility

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