Hugo Awards

So…. they have announced the nominations for the Hugo Awards, usually a list for my reading table.

But I’m on a rant, as I notice the novels are once again mostly by Orbit Publishing, except for Tor’s John Scalzi, a past president of Science Fiction and Fantasy Writers of America… and frequent nominee. He’s a popular guy who tweets hilarious tweets and has done a lot for science fiction, but… he’s getting nominated an awful lot.

To vote for the Hugo, you must be a member of the World Science Fiction Convention. The entrance fee is about $40, so that’s not too bad. No author is allowed to submit as the voting takes place through electronics and word of mouth. (four paper entries so far)  I imagine there are quite a few campaigns in the backroom, or maybe I’m just getting skeptical in my old age. I get tired of seeing TOR and Orbit walk away with most of the awards. Someone should put together a self-publishing/small publishers best novel, short story award presentation so the small presses and self-publishers get a chance to shine. They’re certainly an expanding number of them.

Or maybe, the awards will go the way of the New York Times Best Seller list that we now know has been manipulated for decades by the traditional publishers.

There is also a lot of re-nominating of authors who have either won or been nominated in past years. I have blogged about John Scalzi, and I like his novels. I have recommended several, and will continue to do so. I have even met him, and he is a humorous gentlemen who delivers a good speech. Even so, bear in mind, he has a $13.4 million dollar deal with TOR to deliver thirteen books. TOR will want to get their money back on that investment, so we’ll be hearing a lot more about Mr. Scalzi.

And I’m not saying that is a bad thing. Just be aware of agendas in the background.

Ann Leckie has also won before in 2014 with her debut book Ancillary Justice. Her novels are interesting because the narrator’s point of view comes from an A-I who once ran the computers on a large military ship. Unfortunately, it confuses the reader by its utter disregard for gender, and you’re not sure if the human it is speaking about is male or female. That certainly pointed out to me what a gendered society we live in. There was also some confusion with clones in Ancillary Mercy as the leader of several worlds fought for dominance among his seventeen other clones who wanted to rule everything too.

Another reoccurring name is Kim Stanley Robinson. He has also won the Hugo and other awards for his Mars Trilogy. I’ve also blogged about those three books, which are very scientific, and yet the characters pop. Now he has been nominated for New York 2140 which looks very different.

I haven’t read Six Wakes by Mur Lafferty or know about him, but that one appears to be right up my alley. It takes place on a ship with clones that are pulled out of cryo and there’s murder onboard. Sound familiar? If not, you haven’t read my A World Too Far yet, which starts with the captain being yanked out of cryo amid a pending mutiny on board the ship. So, that one I definitely want to try.

N.K. Jemisin keeps popping up in the winners and nominee lists also. I tried to read her first book, but it wasn’t to my taste. Nonetheless, many readers love her and here she is on the ballot again. Maybe I should give her another go. Have you read and liked her? Why?

Please know that my blog is full of my opinions and you may feel differently. Okay by me.

Just saying.

But I have been reading science fiction for decades, so I feel justified in leaping to certain assumptions. However, without further ado, here’s the nominees for the 2018 Hugo Awards:

Who do you think should win? Why?



The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards were announced at simultaneous events held in San Jose, California, at Norwescon 41 in SeaTac, Washington, and at Follycon, the 68th British National Science Fiction Convention (Eastercon).

The finalists for the 2018 Hugo Awards, Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer are:
Best Novel

The Collapsing Empire, by John Scalzi (Tor)
New York 2140, by Kim Stanley Robinson (Orbit)
Provenance, by Ann Leckie (Orbit)
Raven Stratagem, by Yoon Ha Lee (Solaris)
Six Wakes, by Mur Lafferty (Orbit)
The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

All Systems Red, by Martha Wells (Tor.com Publishing)
“And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
Down Among the Sticks and Bones, by Seanan McGuire (Tor.Com Publishing)
River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

“Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
“Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
“The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
“Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
“Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Series

The Books of the Raksura, by Martha Wells (Night Shade)
The Divine Cities, by Robert Jackson Bennett (Broadway)
InCryptid, by Seanan McGuire (DAW)
The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Related Work

Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De
Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation, Short Form

Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
“The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor, Short Form

John Joseph Adams
Neil Clarke
Lee Harris
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Sheila Williams
Best Editor, Long Form

Sheila E. Gilbert
Joe Monti
Diana M. Pho
Devi Pillai
Miriam Weinberg
Navah Wolfe
Best Professional Artist

Galen Dara
Kathleen Jennings
Bastien Lecouffe Deharme
Victo Ngai
John Picacio
Sana Takeda

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
The Book Smugglers, edited by Ana Grilo and Thea James
Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

File 770, edited by Mike Glyer
Galactic Journey, edited by Gideon Marcus
Journey Planet, edited by Team Journey Planet
nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
Rocket Stack Rank, edited by Greg Hullender and Eric Wong
SF Bluestocking, edited by Bridget McKinney

Best Fancast

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Ditch Diggers, presented by Mur Lafferty and Matt Wallace
Fangirl Happy Hour, presented by Ana Grilo and Renay William
Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
Sword and Laser, presented by Veronica Belmont and Tom Merritt
Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

Camestros Felapton
Sarah Gailey
Mike Glyer
Foz Meadows
Charles Payseur
Bogi Takács
Best Fan Artist

Geneva Benton
Grace P. Fong
Maya Hahto
Likhain (M. Sereno)
Spring Schoenhuth
Steve Stiles

Award for Best Young Adult Book (Not a Hugo Award; rules set by WSFS and administered by current Worldcon)

Akata Warrior, by Nnedi Okorafor (Viking)
The Art of Starving, by Sam J. Miller (HarperTeen)
The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
In Other Lands, by Sarah Rees Brennan (Big Mouth House)
A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

John W. Campbell Award for Best New Writer (Not a Hugo Award; sponsored by Dell Publications and administered by current Worldcon)

Katherine Arden
Sarah Kuhn*
Jeannette Ng
Vina Jie-Min Prasad
Rebecca Roanhorse
Rivers Solomon
*Finalist in their 2nd year of eligibility

8 Comments

Filed under award winning scifi, Hugo winners

8 responses to “Hugo Awards

  1. It’s sort of funny how few of those books I’ve heard of. Oh well. I agree with you, Sheron, that you probably have to be “a member of the club” to get a nomination. 🙂

    Like

  2. I may be wrong but I’m certainly getting that feeling.

    Like

  3. CJ Jessop

    II think you probably have to have a huge following, or at least be known for the quality of your writing, to get a nomination. Which is why the ‘sad puppies’ failed so miserably in their trying to take over – the quality of the writing they put forward on their slates wasn’t that great on the whole.

    I haven’t read this particular novel of Scalzi’s but I love his ‘Old Man’s War’ trilogy, particularly ‘The Ghost Brigades’. I can see from those novels why he might a) have such a huge following and b) be nominated for the quality of his work. I’ve also read some of NK Jemisin’s work and like it a lot, and Seanan McGuire’s. Kim Stanley Robinson is great too. I haven’t read the others but, given the quality of the writing that is usually nominated, I fully intend to give them a try.

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  4. Six Wakes by Mur Lafferty is a great book. Extremely entertaining.

    On the other hand, though I am a fan of KSRs works in general, NY 2140 annoyed me so bad almost instantly that I didnt even try to read past the first chapter.

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  5. By all means, give any of these a try. I also like Old Man’s War and that series. I just wish some new names would appear. Four of the six are repeat nominations or winners. All are traditionally published. As a self published author, I’d like to see at least a nomination in that field, but individuals may not have the following or clout a large publishing house has. I can’t honestly believe all self published work is poor. “Sad puppies” smacks of pr name calling. Just saying.

    Liked by 1 person

    • CJ Jessop

      Sad Puppies was what they called themselves, not my name for them. Read about their attempted take-over of the Hugos, it was pretty widely reported at the time. 🙂

      And no, not saying that self-pubbed authors are bad. Not at all (I’ve found some real gems that were self-published). My point was just that the quality of the novels that are nominated is very high (even the ones I don’t find to my personal taste) and it’s easy to see why they were nominated. You’re right, though, individual authors might not have the following or publicity to get nominated. Although, anyone who buys a membership to Worldcon can nominate their favourites.

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      • Yes, I remember hearing about the Sad Puppies’ attempt, although I don’t have all the details. I also agree that usually the quality is good for the ones that win. I’ve read most of the Hugo winners (novels), but a few nominations lately have been convoluted or confusing. My opinion.
        Thanks for the comments.

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