Publishing is changing, but you knew that. The problem becomes how is it changing right now, and what headlines are we to believe about recent trends. December and January are great months to evaluate the past year and forecast upcoming developments.
Unfortunately, several publishing headlines proclaimed facts that don’t present the true picture. Politics isn’t the only purview of misleading or fake news.
Thank goodness for Hugh Howey and Data Guy.
Articles claimed that ebooks were decreasing and paperbacks were on the rise. Turns out that the rise of paperbacks sales came from several sources. 1: adult coloring books in 2015-16 became wildly popular. 2: Traditional publishers winning against Amazon (remember the big battle for agency pricing?) hiked prices for popular ebooks to sometimes the cost of a paperback. Readers chose the paperbacks when Amazon discounted them almost to parity with the ebook. 3: Finally, the data for these articles came from Bolkers who issues ISBNs. ISBNS are used by traditional publishers to track books. One book could have three or four different ISBNS depending on its format. An overwhelming amount of Indie publishers don’t use ISBNS due to their high cost here in the United States. They are not required by Amazon to publish ebooks. Amazon provides for free their own ASIN to tag ebooks. Indie authors often sell the large majority of their work as ebooks on Amazon and use Amazon’s ASIN. I use both.
Thankfully, Data Guy has a software program that scrapes data from Amazon, and other distributors (Kobo, Nook, etc.) to provide a more accurate picture of what might be happening.
Jane Friedman writes a blog with some interesting comments on the state of publishing.
https://janefriedman.com/9-statistics-writers-know-amazon/. Check her out.
I believe that politics has impacted sales for January and February by distracting readers from books. My sales have dropped off, and I blame lack of marketing and political distraction, but this is merely my assumption. What about you?
Surprising changes in publishing are Amazon’s foray into brick and mortar to sell books and their new traditional publishing style imprints that are popping up.
I live five minutes away from the mall that houses Amazon’s new brick and mortar store. It’s fresh and new and highly curated. All covers face out and most are selected from Amazon’s bestsellers lists. It’s clever because a reader is presented with books that are proven already successful in the marketplace. No prices are put on the books since Prime members pay less and prices may vary. Will this new Amazon strategy pay off?
As a friend of mine often says, “We’ll see.”
This week I read Charlie Jane Anders’ “All the Birds in the Sky.” The timing couldn’t be better as it has just received a 2016 Nebula Award nomination.
The story starts off with Patricia Delfine’s tortured years at Canterbury Academy. All the angst of junior high school are magnified. Cliques of girls harass her and call her a witch. True, she talks to birds and a rather important tree, but only in the woods where no one can hear her. Nature is sacred to her and often she tries to escape the cruelty of her life by going into the forest behind her house.
Not only is school traumatic, but when she gets blamed for mean girl tricks, the school calls her parents and they lock her in her room for days, only letting her out to attend school. Her younger sister brings her meals, but not before she has poured hot sauce and chili pepper all over it.
Sibling love at its finest.
One day, Patrica literally runs into Lawrence Armstead who also gets pushed around and ridiculed at the same school. He, however, is a computer genius, and through a schematic on the Internet builds a time machine in a wristwatch that can jump him ahead two seconds. It’s not much, but it helps when spit balls come his way. Eventually, he builds a robot from parts and hides it in his closet. Unfortunately, his parents don’t value his geeky genius and sign him up for the Great Outdoor Nature Adventure to get him away from his computer and experiments so he can be more like “normal” boys. He hates it.
Patricia and Lawrence become awkward friends. Patricia is talked into lying about his attendance at nature class in exchange for twenty dollars. Lawrence also provides her with a module so she can talk to his robot and “socialize” it. The AI, in turn, gives out good advice on coping.
The book skips forward to San Francisco and young adults Patricia and Lawrence. Both have survived their childhood…barely. Patricia actually saves Lawrence’s life and, after a traumatic event, Patricia is found by a magician and runs away from her family to magic school.
The second half of the book follows the reunion of the two where they both struggle with lovers, their jobs, current co-workers, and a growing threat to the world. It becomes apparent that Patrica represents magic and nature while Lawrence symbolizes science. Together the two, with their talents, might save the world from a looming doomsday threat.
This is a strange book for science fiction. The early lives of the two main characters makes for agonizing reading and points out the failure of society both in education and child raising. I find the Nebula has often nominated and awarded unusual books that dance between fantasy and science fiction. This is one of those books.
Although the ending rather disappointed, I still recommend reading the book for its vivid characterizations and emotional events. It has a bit of the flavor of the Magicians in it. The trials these two have to overcome endears them and is worth the read.
And while reading this book, if you’re an adult, you’ll be glad you are. If you’re a teenager, you’ll be grateful that your life is better than their early life was… I hope.